Swearing

Recently read an article in the New Republic by Steven Pinker, an eminent psychologist at Harvard, on the cause and effect of swearing in human culture, ancient, modern, and even post-modern – and the taboos on swearing in the broadcast media.

 

The following quote sums up the tone of the article:

Also deserving of reflection is why previous generations of speakers bequeathed us a language that treats certain topics with circumspection and restraint. The lexical libertines of the 1960s believed that taboos on sexual language were pointless and even harmful. They argued that removing the stigma from sexuality would eliminate shame and ignorance and thereby reduce venereal disease, illegitimate births, and other hazards of sex. But this turned out to be mistaken. Sexual language has become far more common since the early '60s, but so has illegitimacy, sexually transmitted disease, rape, and the fallout of sexual competition like anorexia in girls and swagger-culture in boys. Though no one can pin down cause and effect, the changes are of a piece with the weakening of the fear and awe that used to surround thoughts about sex and that charged sexual language with taboo.

Those are some of the reasons to think twice about giving carte blanche to swearing. But there is another reason. If an overuse of taboo words, whether by design or laziness, blunts their emotional edge, it will have deprived us of a linguistic instrument that we sometimes sorely need. And this brings me to the arguments on the pro-swearing side.

To begin with, it's a fact of life that people swear. The responsibility of writers is to give a "just and lively image of human nature," as poet John Dryden wrote, and that includes portraying a character's language realistically when their art calls for it. When Norman Mailer wrote his true-to-life novel about World War II, The Naked and the Dead, in 1948, his compromise with the sensibilities of the day was to have soldiers use the pseudo-epithet fug. (When Dorothy Parker met him, she said, "So you're the man who doesn't know how to spell fuck.") Sadly, this prissiness is not a thing of the past: Some public television stations today fear broadcasting Ken Burns' documentary on World War II because of the salty language in his interviews with veterans. The prohibition against swearing in broadcast media makes artists and historians into liars and subverts the responsibility of grown-ups to learn how life is lived in worlds distant from their own.